Bosco spent the past summer in Memphis, TN recording the 13 tracks with Doug Easley at his acclaimed studio whose alumni include the White Stripes, Sonic Youth, Pavement, Wilco, and Cat Power. Bosco's sound references the sounds of Sun Studios-era recordings, updating the lo-fi guitar twang with the use of an MPC drum machine and vintage synthesizer emulators to create a wall of distorted dance/grunge, with other apparent influences ranging from southern rap to church hymns and dancehall.
Every track on the record brings together new ideas and influences making "Everybody Wah" an entirely refreshing entry into the current music scene.
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